Wednesday, December 17, 2008
Wednesday, December 10, 2008
Tuesday, December 9, 2008
Tuesday, October 28, 2008
Thursday, September 25, 2008
Wednesday, September 24, 2008
Advancements In Modern Music Through Single Rhyme Pairings
Every now and then a single rhyme pairing becomes the proverbial musical fulcrum beneath the giant lever that is popular culture, catapulting the music into unforeseen heights. And annoying journalistic endeavors. These rhyme pairings transcend the lyrics and artists themselves to become genre defining moments. They are the most important things to happen in music. Ever. E.V.E.R.
Country Rock
Rhyme Pairing: "Baby" with "Maybe"
Advancement: Gene Autry, George Jones, giant bee-hive hair do's.
British Rock
Rhyme Pairing: "Do" with "You"
Advancement: The Beatles "Love Me Do" and "From Me To You," The Rolling Stones, Led Zeppelin.
Heroin Rock
Rhyme Pairing: "Heroin" with "Friend"
Advancement: Annoying New York art scenes, The Velvet Underground, Andy Warhol.
Jazz
Rhyme Pairing: "Dismiss" with "Kiss"
Advancement: Chet Baker, Louis Armstrong, advent of Big Band, and the taking of heroin for creative advancement (see Heroin Rock).
Big Band
Rhyme Pairing: "Baby" with "Maybe" (see Country Rock)
Advancements: Sinatra, Davis Jr., Martin, Las Vegas, The Mafia, drunk performance.
Rap
Rhyme Pairing: "Elementary" with "Penitentiary"
Advancement: None really.
Grunge Rock
Rhyme Pairing: "A Mosquito" with "My Libido"
Advancement: The entire 90's.
Glam Rock
Rhyme Pairing: "Party" with "Party"
Advancement: Los Angeles, hair, strip club attendance, alcohol sales, venereal disease.
Country Rock
Rhyme Pairing: "Baby" with "Maybe"
Advancement: Gene Autry, George Jones, giant bee-hive hair do's.
British Rock
Rhyme Pairing: "Do" with "You"
Advancement: The Beatles "Love Me Do" and "From Me To You," The Rolling Stones, Led Zeppelin.
Heroin Rock
Rhyme Pairing: "Heroin" with "Friend"
Advancement: Annoying New York art scenes, The Velvet Underground, Andy Warhol.
Jazz
Rhyme Pairing: "Dismiss" with "Kiss"
Advancement: Chet Baker, Louis Armstrong, advent of Big Band, and the taking of heroin for creative advancement (see Heroin Rock).
Big Band
Rhyme Pairing: "Baby" with "Maybe" (see Country Rock)
Advancements: Sinatra, Davis Jr., Martin, Las Vegas, The Mafia, drunk performance.
Rap
Rhyme Pairing: "Elementary" with "Penitentiary"
Advancement: None really.
Grunge Rock
Rhyme Pairing: "A Mosquito" with "My Libido"
Advancement: The entire 90's.
Glam Rock
Rhyme Pairing: "Party" with "Party"
Advancement: Los Angeles, hair, strip club attendance, alcohol sales, venereal disease.
Tuesday, June 10, 2008
"Say Yes" Poster by Shepard Fairey
posted by Hymnalayan
Shepard Fairey will be selling limited edition autographed prints of his "Say Yes" poster on the OBEY website.
The posters are appearing across Los Angeles in a pseudo propaganda campaign for Silverlake based band AFTERNOONS. Here is Shepard's post :
"My friend Steven Scott who works at my favorite LA breakfast spot, The Mustard Seed Cafe, gave me a copy of his band's demo CD. The band is called AFTERNOONS and their music is very symphonic, uplifting, indie rock in the vein of the Polyphonic Spree or newer Flaming Lips. The standout track is called "Say Yes" and I was so inspired by it that I decided to make a poster for the band to put up on the street, and a few to sell to recoup printing costs. The edition is only 150. The prints will go on sale Monday, 6/9. There is a myspace link below if you'd like to hear them. After I played the song for Steve Jones, he immediately put it on Jonesy's Jukebox."
Steve Jones is a DJ for Indie 103.1 and founding guitar player of the Sex Pistols.
CLICK TO READ.
Shepard Fairey will be selling limited edition autographed prints of his "Say Yes" poster on the OBEY website.
The posters are appearing across Los Angeles in a pseudo propaganda campaign for Silverlake based band AFTERNOONS. Here is Shepard's post :
"My friend Steven Scott who works at my favorite LA breakfast spot, The Mustard Seed Cafe, gave me a copy of his band's demo CD. The band is called AFTERNOONS and their music is very symphonic, uplifting, indie rock in the vein of the Polyphonic Spree or newer Flaming Lips. The standout track is called "Say Yes" and I was so inspired by it that I decided to make a poster for the band to put up on the street, and a few to sell to recoup printing costs. The edition is only 150. The prints will go on sale Monday, 6/9. There is a myspace link below if you'd like to hear them. After I played the song for Steve Jones, he immediately put it on Jonesy's Jukebox."
Steve Jones is a DJ for Indie 103.1 and founding guitar player of the Sex Pistols.
CLICK TO READ.
Sunday, May 25, 2008
Zeitgeist 20, Chapter 1
by Lever Rukhin
(an excerpt)
Helmet Suggests The Torching Of My Drawers
Helmet, Fulcrum and I were half-frozen in a Siberian blizzard when I tried to set fire to my underwear.
“Try again! Don’t you understand—we are completely FUCKED!” Helmet screamed, clinging tightly to my head. Its fiberglass was shrinking or, perhaps, my head was swelling, my hair drenched with sweat, my mind racing. The frigid and miserable winds spat past us as we stood in the middle of the dirt road. The temperature was falling so fast that my clothes, also soaked in sweat, were beginning to gel. The icicle that had formed on my beard had grown substantially and pulled my jaw open as if there were a spring between my teeth. My toes had been numb for over an hour, but the fear of them being frostbitten kept me from checking them. There was a sensation all around me of vague fear.
Still, I gave in to a strength born of hope and desperation that either death or rescue would come swiftly, without too much headache, preferably with a cigarette between my teeth. It was between these violent gusts, when the quiet and darkness pervaded, the panic would momentarily leave me and I quietly stared into the peaceful darkness. There was a road down there somewhere, shouldered by tall verdant firs and thick Siberian birch trees. And even further, just out of reach, village houses clustered amid rolling hills with picket fences, window shutters intricately painted with bold festive colors. A muzhik somewhere returning from the river with a rod and a bucket of fish, a woman with large blue eyes hanging clean linen out on the line to dry in the sun.
"Don't worry. We'll make it. Somebody has to drive down this road eventually." I tried assuring Helmet softly under my breath. "We'll surely make it… But I am not desperate enough to set my underwear on fire… I refuse… at least for now. Let’s wait and see what happens."
A strong wind detonated in my face, as if someone opened the door to a whirlwind and punched me in the face, screaming and pushing into my chest with such might that I stumbled backwards. I tripped over the spare tires that must have fallen off Fulcrum's back seat and toppled on top of them, my arms draped over the side in resignation. At that point my arms were felt as if they had been made out of lead. I summoned all my strength and raised my watch up in front of my face. Nothing but black. I took the flashlight out of my inside jacket pocket: 2:13 a.m. Six more hours until the morning hours, when a bread truck or maybe a delivery vehicle would drive through this area on their way to the next town up the road.
“Boss, please. Please get up. I beg you—I’ve never asked for much. As your protector, I have to advise you that it must be –40 with the wind chill factor right now, and you’ll lose consciousness soon, you see? We can survive another hour, maybe two. But you have to do something—if you just lay there we’re all dead. I’m telling you, no, I’m asking you: burn your fucking underwear—you can start a fire and stay warm until someone finally drives down this forgotten road. Where is all the luggage? And where is Fulcrum? What have you done with her?” Helmet didn’t want a response. It shivered on my head rhetorically, indicating in an exaggerated way the futility of my indolence.
I turned my head in the direction of where I remembered seeing her last. Poor Fulcrum was recumbent somewhere in the pitch dark, beaten and exhausted and in shock, unable to go on. The iced-over mountains with the thick layer of snow on either side of us were impassable, and beyond them the closest village was, according to the last person I spoke with hours ago, 40 kilometers away. With all the gear on her and a full tank of gas, she weighed 1200 pounds and from having lifted her every time she slipped on the ice in the past few hours, the ligaments in my forearms were strained and pulled. The thought of her laying there in her condition made me shudder.
“The underwear idea might work if we had some sticks. Here, hold this,” I exclaimed sticking my flashlight between my cheek and Helmet. I wrestled myself out from the tires and clambered up a wall of waist-high snow shouldering the road. The faint, orange beam emanating from the flashlight bounced ahead of me as I ran toward the dense forest through the knee-deep snow.
Lever Rukhin is a photographer and writer. He has almost died several times.
(an excerpt)
Helmet Suggests The Torching Of My Drawers
Helmet, Fulcrum and I were half-frozen in a Siberian blizzard when I tried to set fire to my underwear.
“Try again! Don’t you understand—we are completely FUCKED!” Helmet screamed, clinging tightly to my head. Its fiberglass was shrinking or, perhaps, my head was swelling, my hair drenched with sweat, my mind racing. The frigid and miserable winds spat past us as we stood in the middle of the dirt road. The temperature was falling so fast that my clothes, also soaked in sweat, were beginning to gel. The icicle that had formed on my beard had grown substantially and pulled my jaw open as if there were a spring between my teeth. My toes had been numb for over an hour, but the fear of them being frostbitten kept me from checking them. There was a sensation all around me of vague fear.
Still, I gave in to a strength born of hope and desperation that either death or rescue would come swiftly, without too much headache, preferably with a cigarette between my teeth. It was between these violent gusts, when the quiet and darkness pervaded, the panic would momentarily leave me and I quietly stared into the peaceful darkness. There was a road down there somewhere, shouldered by tall verdant firs and thick Siberian birch trees. And even further, just out of reach, village houses clustered amid rolling hills with picket fences, window shutters intricately painted with bold festive colors. A muzhik somewhere returning from the river with a rod and a bucket of fish, a woman with large blue eyes hanging clean linen out on the line to dry in the sun.
"Don't worry. We'll make it. Somebody has to drive down this road eventually." I tried assuring Helmet softly under my breath. "We'll surely make it… But I am not desperate enough to set my underwear on fire… I refuse… at least for now. Let’s wait and see what happens."
A strong wind detonated in my face, as if someone opened the door to a whirlwind and punched me in the face, screaming and pushing into my chest with such might that I stumbled backwards. I tripped over the spare tires that must have fallen off Fulcrum's back seat and toppled on top of them, my arms draped over the side in resignation. At that point my arms were felt as if they had been made out of lead. I summoned all my strength and raised my watch up in front of my face. Nothing but black. I took the flashlight out of my inside jacket pocket: 2:13 a.m. Six more hours until the morning hours, when a bread truck or maybe a delivery vehicle would drive through this area on their way to the next town up the road.
“Boss, please. Please get up. I beg you—I’ve never asked for much. As your protector, I have to advise you that it must be –40 with the wind chill factor right now, and you’ll lose consciousness soon, you see? We can survive another hour, maybe two. But you have to do something—if you just lay there we’re all dead. I’m telling you, no, I’m asking you: burn your fucking underwear—you can start a fire and stay warm until someone finally drives down this forgotten road. Where is all the luggage? And where is Fulcrum? What have you done with her?” Helmet didn’t want a response. It shivered on my head rhetorically, indicating in an exaggerated way the futility of my indolence.
I turned my head in the direction of where I remembered seeing her last. Poor Fulcrum was recumbent somewhere in the pitch dark, beaten and exhausted and in shock, unable to go on. The iced-over mountains with the thick layer of snow on either side of us were impassable, and beyond them the closest village was, according to the last person I spoke with hours ago, 40 kilometers away. With all the gear on her and a full tank of gas, she weighed 1200 pounds and from having lifted her every time she slipped on the ice in the past few hours, the ligaments in my forearms were strained and pulled. The thought of her laying there in her condition made me shudder.
“The underwear idea might work if we had some sticks. Here, hold this,” I exclaimed sticking my flashlight between my cheek and Helmet. I wrestled myself out from the tires and clambered up a wall of waist-high snow shouldering the road. The faint, orange beam emanating from the flashlight bounced ahead of me as I ran toward the dense forest through the knee-deep snow.
Lever Rukhin is a photographer and writer. He has almost died several times.
Thursday, May 22, 2008
Sean Combes
by Sam Johnson
What I learned this week:
1. Waking up super early and taking a nap in the middle of the day is a much better way to
A. Get more done.
B. Feel better about napping.
For whatever reason I was working this job a couple of weeks ago with a friend of mine named Jamie who is a Performance Artist. He does all kinds of amazing shit like upholster weapons with stolen authentic Louis Vitton patent leather. When he's not spelling "RATS" with raw meat in alleyways, he's hiring me to help run (literally- like with my f'ing legs) large scale events around Los Angeles. Where I grew up, the companies that help you throw parties hold titles like Party Time; but alas even though the Grammy Awards are nothing more than a fraternal celebrity circle jerk with a guest list, it takes jerks like Jamie and I to make sure John Mayer has a red carpet to spooge on. Jamie and I don't throw parties. We "host events." Bitch.
Actually I don't really do much except get Jamie coffee and hang things for 16 to 18 hours a day. Well that's not entirely true, my job consists of hanging things and while Jamie is off taking care of other things (more coffee), I am sometimes left in charge of... oh... the ENTIRE production while he's gone. Convincing anyone that you're in charge while you hang five dollar IKEA lamps is hilarious. "TRUST ME," I yell from the top of a 35 foot ladder. "YOU GUYS HAVE TO WAIT FOR THE STAGING GUYS. UNLESS YOU WANT THE STAGE TO GO ON TOP OF THE FUCKING RED CARPET. WHAT? NO, I HAVE NO IDEA IF JOHN MAYER WILL BE WEARING THE 'BORAT' COSTUME."
An active member of the Fraternal Celebrity Circle Jerk Club is Sean Combes ala P. Diddy. Since Diddy hasn't sung "uh huh, yeah" over anyone else's music in the past few years, Grammy carpet hasn't been in spooging distance for the producer cum artist cum actor cum reality tv host cum cum. So being the entrepreneurial spirit that he has the money to now afford, Diddy has taken to throwing his own Celeb Circle Jerks. And Jamie and I were just the Jerks for the job. My task for this particular fraternal gathering was to hang a thousand huge picture frames that I had spent a whole day outfitting with fake plexiglass mirrors. And simultaneously run things. "IT'S COOL DUDE. YEAH OVER THERE. NO, I MEAN NORMALLY I'M A MUSIC PROGRAMMER SO I JUST DO THIS SOMETIMES TO GET THE BLOOD GOING. THE B-L-O-O-D GOI... aw forget it you d-bag."
The last time I had hung these particular huge fake picture frames was for a Fredericks of Hollywood lingerie fashion show, headlined by the Foo Fighters. It took four guys 32 hours of non-stop work to accomplish the feat. I didn't sleep for two whole days and collapsed a day later, convulsing and tear stained on the ground. Breathing through every pore, I ripped through the most insane anxiety attack of my life with "duh-nuh-nuh-nuh-nuh duh-nuh-nuh-nuh-nuh THERE GOES MY HEE-RO!!!" playing over and over in my head.
Lunchtime arrived the day before the Diddy Event and my brother and I (who I had conned into helping me) were only an eighth of the way done hanging, which meant another all nighter. I was planning a Notorious B.I.G. song for my next panic attack when the following happened so fast I would have never known that for the rest of my life I would think fondly of Mr. Combes. It went like this:
-Diddy shows up
-Diddy hates everyting
-Diddy hates frames I'm hanging
-Diddy leaves
-Reality TV crew filming Diddy gets killer footage of Diddy in charge
-My brother and I go to get coffee
Diddy came back the next day, camera crew in tow, to observe his new Spooge-ma-torium. "Now THIS is what a 4 million dollar party looks like!" he clamored. I guess he got on the mic a few times during the party and said that a few times, each time. I don't know what he pays his people, but that party cost less than one quarter of one million dollars. While I waited deliriously to leave, the party finally kicked off and I hunkered in a faux hallway made from drapery with David Spade. He was already hammered and was actually insanely funny. "H-oh my Ghod, H-I'm lhike the h-only white guy hhere," he squeaked.
I need a nap I thought. It's a good thing I got up early.
Sam Johnson is a music programmer and plays in bands.
What I learned this week:
1. Waking up super early and taking a nap in the middle of the day is a much better way to
A. Get more done.
B. Feel better about napping.
For whatever reason I was working this job a couple of weeks ago with a friend of mine named Jamie who is a Performance Artist. He does all kinds of amazing shit like upholster weapons with stolen authentic Louis Vitton patent leather. When he's not spelling "RATS" with raw meat in alleyways, he's hiring me to help run (literally- like with my f'ing legs) large scale events around Los Angeles. Where I grew up, the companies that help you throw parties hold titles like Party Time; but alas even though the Grammy Awards are nothing more than a fraternal celebrity circle jerk with a guest list, it takes jerks like Jamie and I to make sure John Mayer has a red carpet to spooge on. Jamie and I don't throw parties. We "host events." Bitch.
Actually I don't really do much except get Jamie coffee and hang things for 16 to 18 hours a day. Well that's not entirely true, my job consists of hanging things and while Jamie is off taking care of other things (more coffee), I am sometimes left in charge of... oh... the ENTIRE production while he's gone. Convincing anyone that you're in charge while you hang five dollar IKEA lamps is hilarious. "TRUST ME," I yell from the top of a 35 foot ladder. "YOU GUYS HAVE TO WAIT FOR THE STAGING GUYS. UNLESS YOU WANT THE STAGE TO GO ON TOP OF THE FUCKING RED CARPET. WHAT? NO, I HAVE NO IDEA IF JOHN MAYER WILL BE WEARING THE 'BORAT' COSTUME."
An active member of the Fraternal Celebrity Circle Jerk Club is Sean Combes ala P. Diddy. Since Diddy hasn't sung "uh huh, yeah" over anyone else's music in the past few years, Grammy carpet hasn't been in spooging distance for the producer cum artist cum actor cum reality tv host cum cum. So being the entrepreneurial spirit that he has the money to now afford, Diddy has taken to throwing his own Celeb Circle Jerks. And Jamie and I were just the Jerks for the job. My task for this particular fraternal gathering was to hang a thousand huge picture frames that I had spent a whole day outfitting with fake plexiglass mirrors. And simultaneously run things. "IT'S COOL DUDE. YEAH OVER THERE. NO, I MEAN NORMALLY I'M A MUSIC PROGRAMMER SO I JUST DO THIS SOMETIMES TO GET THE BLOOD GOING. THE B-L-O-O-D GOI... aw forget it you d-bag."
The last time I had hung these particular huge fake picture frames was for a Fredericks of Hollywood lingerie fashion show, headlined by the Foo Fighters. It took four guys 32 hours of non-stop work to accomplish the feat. I didn't sleep for two whole days and collapsed a day later, convulsing and tear stained on the ground. Breathing through every pore, I ripped through the most insane anxiety attack of my life with "duh-nuh-nuh-nuh-nuh duh-nuh-nuh-nuh-nuh THERE GOES MY HEE-RO!!!" playing over and over in my head.
Lunchtime arrived the day before the Diddy Event and my brother and I (who I had conned into helping me) were only an eighth of the way done hanging, which meant another all nighter. I was planning a Notorious B.I.G. song for my next panic attack when the following happened so fast I would have never known that for the rest of my life I would think fondly of Mr. Combes. It went like this:
-Diddy shows up
-Diddy hates everyting
-Diddy hates frames I'm hanging
-Diddy leaves
-Reality TV crew filming Diddy gets killer footage of Diddy in charge
-My brother and I go to get coffee
Diddy came back the next day, camera crew in tow, to observe his new Spooge-ma-torium. "Now THIS is what a 4 million dollar party looks like!" he clamored. I guess he got on the mic a few times during the party and said that a few times, each time. I don't know what he pays his people, but that party cost less than one quarter of one million dollars. While I waited deliriously to leave, the party finally kicked off and I hunkered in a faux hallway made from drapery with David Spade. He was already hammered and was actually insanely funny. "H-oh my Ghod, H-I'm lhike the h-only white guy hhere," he squeaked.
I need a nap I thought. It's a good thing I got up early.
Sam Johnson is a music programmer and plays in bands.
Monday, March 31, 2008
Road Weary
1. Brent Turner
2. Steven Scott
3. Aaron Burrows
4. Sam Johnson
5. Brian Canning
Sam Johnson is a music programmer and plays in bands.
2. Steven Scott
3. Aaron Burrows
4. Sam Johnson
5. Brian Canning
Sam Johnson is a music programmer and plays in bands.
Thursday, March 20, 2008
5 Reasons
by C.H.H. Fleming
It's not that cool to be tall. Let me preface this - there are varying degrees of tallness, i.e. the taller-than-average group (6' - 6'2"), the noticeably-taller-than-everyone-in-the-group group (6'3"-6'5"), the freakishly-tall-let's-everybody-stare-at-him/her group (6'6"-6'8"), and the ogre group (6'9" and up); of which I fall into the let's-everybody-stare-at-him category. And trust me on this one: after extensive research I can promise that these groups, for whatever reason, are distinct. Now to the reasons...
1 - Common conversation starter: "Wow you're tall." How is this a good conversation starter? This is about the least interesting quality I find in myself. Furthermore, I have yet to figure out if this is a compliment, insult, or anything in between. It doesn't imply anything of physical attractiveness or otherwise, or that you're actually interested in talking to me. More importantly, I now don't want to talk to you.
2 - Sitting on airplanes. I love when the 4'-10" lady sits in the exit row - thanks a lot. Two things that make this experience even better... when the all-too-common 450 pounder sits next to you, leaving no place to put your knees, and when homeboy sitting in front of you decides to recline his chair.
3 - Doing dishes. Not that I don't love back spasms, but everyday appliances and architecture aren't meant for the tall crowd, particularly those of us above 6'5". Timing your stride so that you hit the bottom of your gait when you reach a doorway is not something the average Joe or Jane thinks about. And people rarely clean the top of refrigerators. Gross.
4 - Questions about size of genitalia. This goes both ways. Some assume that we must be hung like elephants, while others, out of some unknown symptom of Small Man's Disease, come to the "pinky" conclusion. If you're interested and things go right (or terribly wrong) you may find out for yourself.
5 - Numbness after an extended period on the toilet. Maybe this is a function of my procrastination in finishing up the deed, but Sporting News articles are often too interesting to put down. If I had a dollar for every time I nearly fell on my face after reading the latest on postmodern deconstructionism, I'd be a dozenairre.
If you're a hobbit and you're sitting next to one of the big folk, offer him the aisle seat, ok?
Monday, March 10, 2008
Bat For Lashes
by Sam Johnson
A friend of mine played me this incredible music vid.
It's blog worthy, and not necessary to watch before reading this.
The massive Phil Spector beat on Bat For Lashes' "What's A Girl To Do?" blew me away and I immediately bought the entire album "Fur And Gold" on Amazon.com without even giving it a listen. Again Amazon did not disappoint, carrying the entire album for $5.99. iTunes is carrying it in their DRM-free format at the same price- possibly a hint of a reasonable pricing in the future. Again Amazon beat iTunes in sound quality.
"Fur And Gold" strikes a balance between original influence and reminding us what Bjork and Cat Power sometimes leave to be desired. You probably have six bucks, so you probably should buy it. It's mood music. Listen to it at night while you drive drunk. I have a few friends who are psycho Cat Power fans including a former employer who hired her to play a 30 minute set at a Chanel party, paying her $35,000. This is probably supposed to be a secret, which it will mostly remain because only 13 people read this. The word around that particular office was that Cat Power is "Chanel's baby" and they fly her "all over the place" to play "all kinds of Chanel parties" for 30 minutes, making tens of thousands of dollars per show to do so. Not bad. Not bad. I too am a large, not massive nor psycho, Cat Power fan and was delighted to be standing in the doorway with the waiters to watch her play to a bunch of celebrities who talked at full party volume while they ate a tiny souffle prepared by Wolfgang Puck himself.
I played bass on tour with a band named Irving, who recently put out a covers E.P., which you can listen to on their page. I wasn't a part of the recording process, but did learn a lot about covering someone else's music- the most important fact being that half of what you earn for each song covered goes to the artist who wrote the song. As it should. (Interesting sidebar: both Irving and Bat For Lashes cover Bruce Springsteen's "I'm On Fire.") A profit of fifty cents on the dollar is not a bad number to be pulling down, and with Cat Power now selling her SECOND full length covers album like crazy, she's making a whole lot of random people a whole lot of easy money.
Which leads me to believe that I really need to be writing songs for Cat Power to then cover. I mean her last original material record was when? 2002? 2003? People never stop writing good songs, so as far as I'm concerned she could put out 3 more solid cover albums. (Interesting sidebar: her cover records are good.) She needs to get up there and shake her cute little indie ass in those cute little indie jeans to the stripped down version of my unheard pop wonder, making Kate Beckinsale want to sit annoyingly higher on her boyfriends lap at the dinner table.
I won't mind if people talk during dessert.
Sam Johnson is a music programmer and plays in bands.
A friend of mine played me this incredible music vid.
It's blog worthy, and not necessary to watch before reading this.
The massive Phil Spector beat on Bat For Lashes' "What's A Girl To Do?" blew me away and I immediately bought the entire album "Fur And Gold" on Amazon.com without even giving it a listen. Again Amazon did not disappoint, carrying the entire album for $5.99. iTunes is carrying it in their DRM-free format at the same price- possibly a hint of a reasonable pricing in the future. Again Amazon beat iTunes in sound quality.
"Fur And Gold" strikes a balance between original influence and reminding us what Bjork and Cat Power sometimes leave to be desired. You probably have six bucks, so you probably should buy it. It's mood music. Listen to it at night while you drive drunk. I have a few friends who are psycho Cat Power fans including a former employer who hired her to play a 30 minute set at a Chanel party, paying her $35,000. This is probably supposed to be a secret, which it will mostly remain because only 13 people read this. The word around that particular office was that Cat Power is "Chanel's baby" and they fly her "all over the place" to play "all kinds of Chanel parties" for 30 minutes, making tens of thousands of dollars per show to do so. Not bad. Not bad. I too am a large, not massive nor psycho, Cat Power fan and was delighted to be standing in the doorway with the waiters to watch her play to a bunch of celebrities who talked at full party volume while they ate a tiny souffle prepared by Wolfgang Puck himself.
I played bass on tour with a band named Irving, who recently put out a covers E.P., which you can listen to on their page. I wasn't a part of the recording process, but did learn a lot about covering someone else's music- the most important fact being that half of what you earn for each song covered goes to the artist who wrote the song. As it should. (Interesting sidebar: both Irving and Bat For Lashes cover Bruce Springsteen's "I'm On Fire.") A profit of fifty cents on the dollar is not a bad number to be pulling down, and with Cat Power now selling her SECOND full length covers album like crazy, she's making a whole lot of random people a whole lot of easy money.
Which leads me to believe that I really need to be writing songs for Cat Power to then cover. I mean her last original material record was when? 2002? 2003? People never stop writing good songs, so as far as I'm concerned she could put out 3 more solid cover albums. (Interesting sidebar: her cover records are good.) She needs to get up there and shake her cute little indie ass in those cute little indie jeans to the stripped down version of my unheard pop wonder, making Kate Beckinsale want to sit annoyingly higher on her boyfriends lap at the dinner table.
I won't mind if people talk during dessert.
Sam Johnson is a music programmer and plays in bands.
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